Archive for the ‘sheffield’ Category

Have You Considered The Full Monty?

Monday, July 18th, 2011
The Full Monty

The Full Monty

I drove past Shiregreen Working Mens Club in Sheffield over the weekend.The final scenes of the hit movie “The Full Monty” were filmed there on the big theatre style stage.On the outside of the building now there is a sign declaring it “The home of the full monty.” The sign has probably been there for some time but I don’t drive past it very often and have not noticed it before. It reminded me of what must be one of the most pointless TV interviews of all time which took place between my band and an Italian TV company back in the 1990s.

At the height of “full monty fever” my  covers band took a couple of day time rehearsals in this working mens club (if you play in a band and you have never considered rehearsing in a social club you should do…..they provide a cheap and brilliant rehearsal space.) An Italian TV company turned up to do a piece on the Full Monty which was breaking box office records throughout the world at the time. After filming on the stage they asked permission to interview us for the piece.

The interview went as follows…

Italian TV Presenter 

“So you boys have been made out of work by the steel industry closing down,yes?”

Us

No

Italian TV Presenter 

“You must have considered the full monty as an option to make your money yes?”

US

“no”

Italian TV Presenter 

“Would you be able to demonstrate the full monty on this stage for the benefit of our TV audience back in Italy?”

Us

“definitely no!!!!”

I am sure that many of our bands and DJs have similar weird stories to share with us but this one takes some beating.

For information about great wedding bands please call 08454 900515 or email info@lmmuk.com

 

Herbie Armstrong On Britains Got Talent

Saturday, April 30th, 2011

Herbie Armstrong On BGT

In the early 1990s I spent a lot of time playing down at the Slug and Fiddle in Sheffield which was run by a “retired” musician called Herbie Armstrong.

Herbie Armstrong would regale the rest of us young pup musicians with tales about his days on the road with Van Morrison (he played with him during a golden period in the late 70s and early 80s) his days in Belfast with The Wheels and playing with Foxx (do you remember Single Bed?) and Yellow Dog (only this afternoon One More Night came up on random shuffle on the old Ipod.)

It was because of Herbie that I had the honour of singing “Under The Boardwalk ” at the request of, and with the original songwriter,Kenny Young ,on guitar.

Herbie was a great racontuer and my favourite story involved Kenny Young and Herbie travelling to London to see Van Morrison in concert,popping backstage to say goodbye and being ushered into a dressing room where Van was stood with Robert De Niro!!!

There were lots of other stories and lots of late night sing a longs playing Gram Parsons,Everley Bros,Van Morrison,Tim Hardin and The Band songs.

It’s been fifteen years ish since I saw Herbie and although I knew he was running a restaraunt and playing an occasional show it came as a surprise this evening to see Herbie Armstrong on Britains Got Talent.It was a shame that he was stopped by Amanda Holden half way through one of his own songs (although this may even have been pre arranged as these things often are) as Herbie wrote some beautiful tunes.To hear him knocking out a Van tune was disappointing as this is something he can do standing on his head and is the one thing he probably needs to get away from not get into.

Anyway it was nice to see him on telly (he was on a re run of Top Of The Pops last week with Foxx so I guess in some ways he is always on telly!) and good luck to Herbie Armstrong in the Britains Got Talent competition.

Jarvis Cockers Musical Map Of Sheffield

Saturday, February 5th, 2011
Sheffield Ugly And Beautiful

Sheffield Ugly And Beautiful

Anyone who has spent anytime in my company or indeed has read any of our occasional blogs about Sheffield will know,like pretty much everyone else who comes from Sheff,that I am intensely proud of my Sheffield heritage.The guys in the LMM office are at turns intrigued and bored by my banging on about my hometown.

So just to prove that I am not alone in this area I point you in the direction of Jarvis Cockers Musical Map Of Sheffieldwhich was a Radio 6 programme this week.You can still catch it on the BBC IPlayer and I am listening to it as I write this.Its a very interesting view of the city seen through Jarvis eyes and although a tiny part of me is still miffed at Jarvis slagging me off in a book about Sheffield bands I have to hand it to the lad …he always makes a good documentary (if you check out the book by Martin Lillekar you will find a hilarious but spectacularly unflattering description of the Mirror Cracked,my boyhood band.I can laugh about it but my Dad was furious!)

So though the show is mainly about Jarvis family and his own early years much of  it is set in the Sheffield of the 70s and 80s which is raw in my memory.

Sheffield is a very different place now but in many ways its  better.The city centre has had the kind of investment other Northern towns can only dream about and the town planners have got it 100% right with the public spaces and sculptures  plus its still punching well above its weight when it comes to music ( guitar music,folk and dance music) and culture.

Jarvis mentions Jacks Sarsaparilla Bar on Langsett Road which was near where I lived in a pub (the Rose Inn on Penistone Road…theres a little metal plaque where it used to stand ….not because I lived there of course but because it had been used as a makeshift mortuary during the great Sheffield flood.)As I lad  I played football on the roof of Kelvin Flats opposite Jacks Sarsaparilla Bar and played several gigs with the Mirror Cracked at the George iv. Pulp played with us  back in the early 80s.

He also mentions The Limit which I blogged about here http://www.lmmuk.com/agentblog/?p=386    and talks about the Castle Market, where we would stop for cockles and whelks when we were kids, and the Whicker Rehearsal rooms where most of the Sheffield Bands recorded or played at some point (they are not there anymore .)

He  mentions a band called Artery who were the first local band that I saw.I went on my own to The Marples to see them play live (which was a big deal for me at the time) I have no idea why I went (or why I was on my own as I did have friends!) but they were great.Arty rock and compelling to watch.This led me to seeing other local bands and forming my own band.Which in a long and painfully round about way led to me working at LMM and writing this blog (the fickle finger of fate that led me to this place.)

 Banging on about Sheffield seems to be a complaint that most Sheffielders have.There seems to be an inordinate number of Sheffield artists,writers and bands who have the City running through , informing and shaping their art from bands like  The Arctic Monkeys,Pulp,Human League,Richard Hawley artists such as Pete Mckee,Joe Scarborough and writers like Barry Keefe . Ex pats and citizens alike seem to mention it with pride more often than people from Dulwich or Leeds or Birmingham.When Joe Cocker (a singer most people probably associate with Woodstock more than Crookes) called his album “Sheffield Steel” he was running with a tradition that continues to this day with Tony Christies recent “Made In Sheffield” CD.To my knowledge Ozzy Osbourne has never made a “Made In Birmingham” album.Although Welsh and Scottish artists sometimes display a national pride in their work and Americans are always referencing their home town its rare for a UK town to be eulogised in this way.

I am often puzzled by the secret references media Sheffielders sometimes put into their work.I give you a for instance….when Tommy the Sheffield character joined the Coronation Street cast he was not only running from his hometown .He had crossed a gang in Hunters Bar.This reference would not have been understood by anyone outside the city and anyone living in Sheffield would have known that the only gang you were likly to cross in Hunters Bar would be a gang of capuccino sipping students or yummy mummys in Endcliffe Park.For the writer though it was obviously a chance to mention his stomping ground.

Likewise when a band from Sheffield are mentioned on the radio or tv or in print it is always “Sheffield band…..blah blah blah”.You rarely hear a band from Nottingham or Leicester introduced in the same way.I guess in this respect that although there is no Sheffield sound as such the town has the same credibility as saying that a band are a “Manchester band.” The phrase carries a weight of expectation because of the great names that have come from there….far more for instance than a major North American city like Toronto or a town like Edinburgh or indeed Nottingham where you would struggle to mention anyone apart from Paper Lace and The Tindersticks despite the thriving Rock City Alternative scene and the underground dance scene stretching back to the late 80s.

Besides the culture I think a lot of Sheffielders are proud of the town because it is situated on seven hills with views of greenery in every direction.If you drive out of town whether from the East End (where I grew up) or straight up Ecclesall Road it doesn’t take long to wind up in fantastic countryside.You are 20 minutes drive in any direction from some of the best countryside in the UK.We are right on the edge of the Peak District.

And of course the people , in particular the humour and the unpretentious down to earthness of the people ,are central to our pride in the town.

So I eulogise again about a town I no longer live in!  I get back most weekends though and I will leave you with a little story which sums up the place.

When Walkabout first opened in Sheffield the macho and straight Aussie manager Steve had previously worked in a gay bar in Soho.He said to me “you know we seem to get a lot of gay men in the pub. Not like the gay blokes in Soho though.They’re really friendly and all that but there seems to be a lot of them.Not that they look or act gay but every time they come to the bar they say “can I have a pint love.”

I had to explain that calling men “love” in Sheffield was just a term of affection and didn’t mean you were gay.In fact it probably meant you were a rock hard macho straight man but dead friendly…… just like the rest of us Sheffielders.

If you are reading this and wondering what it has to do with work…nothing….just a way of passing an hour on a Saturday afternoon.

Sheffield City Hall Memories

Tuesday, December 21st, 2010
Sheffield City Hall-A Million Memories

Sheffield City Hall-A Million Memories

 

In response to the post last week thanking Boy On A Dolphin for putting LMM Director Rick on stage as support at their Sheffield City Hall show http://www.lmmuk.com/agentblog/?p=1790  we had this response from a friend of ours and rather than leave it in the comments box we believed it deserved a blog of its own.
If you are looking for top quality entertainment for your wedding or party please skip straight to www.lmmuk.com or call the office but if you want a bit of a giggle read the below.
“The Sheffield City Hall holds so many memories for us Sheffielders all doesn’t it? 
I’m reminded of so many great gigs I have seen there.  I was at the Dr Feelgood one too.  I remember seeing Black Sabbath original line up (for a short time only) as the power kept cutting off in the days when I used to gatecrash round the back of the City Hall when it was a case of legging it from the bouncers who were all about minimum age 85. So it was like taking sweets from a baby really.  The gig was that inconsistent they (Sabbath) ended up leaving the stage.  They were supported by a very early Van Halen who treated the ‘power cut’ aspect very eligantly when David Coverdale shouted “It looks like Sheffield hasn’t got enough power for us – better plug into another Ciiiiidddeeeeyyyyyyy!!!!!!  (that word is ‘city’ btw).
 
  So these problems have even persisted after ‘Don’t Look Back’.  Those blokes from the Dylan film probably still worked there too who were saying “for crying out loud whats wrong with it” etc etc. 
 The ‘Television’ supported by Blondie gig always stands out as one of the best City Hall shows and obviously the Morrisey gigs. 
 Also the Who were amazing for sheer volume alone especially when you were stood only a couple of yards away from Townsend (as me and my mate Andy Parr were) – this was at the time of ‘You Better You Bet’. 
 I still have all my tickets in a scrap book (what a train spotter). 
 Also it shouldn’t do really but the Lou Reed gig also stands out.  There was hardly anyone there and I went down thinking I would be turned away with it being a sell out.  (My dad had been ill so I was preoccupied and missed getting a ticket).  Instead I had that front side block to myself apart from this loopy old  woman who walked in carrying her shopping who decided to sit there too. 
 She was there in error as she had won the ticket in a competition on Radio Sheffield.  She had never heard of Lou Reed and asked me if he was like Tony Capstick!!!!  Her face was a picture when he eventually strolled on looking like Vince Taylor in his black leathers.  I was sat so close I may has well have been in Lou Reeds lap (ooopppppps perhaps not – him being the old  deviant he is).  Also when he walked on I felt a bit embarrassed for him because he looked straight at me and this old loopy  women sat at the front and must have thought ‘what the hell – is this supposed to be an audience’.  It didn’t improve his mood but he did do his entire 3 hour show not playing any hits as it was his latest concept album and he insisted it had to been played in its entirety and in order to create the effect of a film.  The old woman remained stationary all night looking quite bored and then (all of a sudden) when he did a VERY RELUCTANT version of Sweet Jane at the end I’ve never seen anyone go as mental!!!!  It was as if she was in one of those voodoo cermonies where they lose control and started spitting liquid and stuff.  The contents of her bags of shopping were rolling all over the front area.  Occasionally you kept standing on a cabbage or something similar!!! 
 Lou Reed is the only person who seems to be great at murdering his own songs live.  Why does he always mess them up or do a really radical version that sounds nothing like the original prototype???  Having said that I’ve just bought an ‘only just discovered’ archive recording of a live gig he did at the time of Transformer on the Easy Action label which is quite good.  They specialise in releasing recovered long lost bootlegs and outtakes.  Some are ok and some are really bad.  There were 2 great hecklers at this gig too who were in stereo as one was sat being my imediate left and one being to my imediate right.  One kept shouting ‘Talk to us Looouuuuuuu!!!’  because the old Godfather wouldn’t say much in between the songs and this heckler really pissed him off.  The other had a really strong Liverpudlian accent and seemed to be saying every 10 minutes “Lou – you’re a f******* geeeeeeenius mate!!!!!”  After listening to 3 hours of that it did become like Japanese water torture. 
I would imagine that Lou now develops a nervous twitch whenever the word ‘Sheffield’ is mentioned (if it ever gets mentioned).” 

Boy On A Dolphin-Sheffield City Hall Dec 11 2010

Monday, December 13th, 2010
Boy On A Dolphin-Sheffield Band

Boy On A Dolphin-Sheffield Band

Boy On A Dolphin are a great Sheffield band with a long history stretching back to the late 1980s and a large and loyal following in the Sheffield area and beyond.

It has become a Christmas tradition that they play at Sheffield City Hall each December with tickets getting snapped up twelve months in advance and several generations of the same family going along to hear the band play at this 2000 seater plus venue.

Boy On A Dolphin always try and do something a Little special on these Christmas shows and this year they decided that instead of having a support act they would invite six local singer-songwriters to perform one song each.I was honoured to be asked to open the proceedings.

Sheffield City Hall is a beautiful venue and even without the memories of the iconic bands I have seen there over the years it would be special to stand on the massive solid oak stage and gaze out at the  tiers of balconies,the enormous chandelier and the deco ceiling.Large civic buildings with this kind of grandeur made out of granite and solid wood paneling will not be built again.They were a product of their time built to celebrate the success of the local industry  built to last and to impress.

Besides this Sheffield City Hall was the first place I saw a live band (DR Feelgood with support from Mink Deville!!) and co-incidentaly the site of one of my favourite ever gigs (Morrisey -I have seen him three times at Sheffield City Hall but the last show I was three rows from the front and it was awesome.)It is also the venue featured in DA Pennebakers documentary about Bob Dylan (Dont Look Back) when the power cuts out and the electricians coming  to fix the fuse seem like they are from another age and over the years has seen everyone from The Beatles to JLS grace the stage.

I played the venue back in the mid nineties in support of Curtis Stigers but it was a great honour to be asked to play with Boy On A Dolphin on Saturday.

I bumped into many musicians that I know but rarley see including Paul and Steve from function band The Sharp Cuts, sax player Steve Beighton from The Paul Carrack Band,Boy On A Dolphin and Acoustic Angels,Julian,Shaun,local producer/guitarist Cary Baylis (who has worked with everyone from Take That to the Spice Girls and who I had the good fortune to play in a band with for a few years etc etc.

It was a great night followed by several drinks down at the Limit Reunion at The Casbah where again myself and my good friend John bumped into many old aquaintences and friends.

For me Christmas started on Saturday confirmed by a Baileys on ice at 2.30am in The Limit Re union with the sound of Wires “I am The Fly” blasting out of the speakers!

A Month Of Sundays-Pete Mckees Art Gallery

Sunday, November 21st, 2010
Pete Mckee Art Gallery

Pete Mckee Art Gallery

Took a walk down to Sharrowvale Street Market in Sheffield and called into A Month Of Sundays Pete McKees Art Gallery.If you are ever in Sheffield visit this gallery to see some fantastic paintings many with a music theme.

LMM are huge fans of this brilliant,witty artist and are proud to have known him for a number of years.Check out his website for samples of his work http://www.therealmckee.co.uk/ 

I blogged at length about Pete some months ago in a blog called The Godlike Genius Of Pete Mckee which you can read here http://www.lmmuk.com/agentblog/?p=530   but today was the first day I got to look around his fantastic gallery.

In the Gallery you can find many examples of his work including a bespoke Mckee scooter and a pair of the limited edition desert boots he designed for Clarks.

Of course there are many of his best prints and some great originals in this two floor space.You can buy many of these and also some beautiful merchandise including cuff links,T Shirts,scarfs and postcards.

We came away with a copy of the 22 Views Of Sheffield Book as a present for a family member but we are now wondering whether to keep it!!

We also got a set of charity Christmas cards.

In keeping with the space and the cool atmosphere there was some 60s music playing and we were lucky enough to bump into Pete and his missus to have a bit of a chat.

If you are in the area pop in…if not visit his website and find out why Noel Gallagher,Paul Weller,Richard Hawley,Paul Smith and LMM etc etc are all big fans

The Beat Is The Law-Made In Sheffield

Saturday, November 6th, 2010
Clock DVA The Beat Is The Law

Clock DVA The Beat Is The Law

Sky Tv are showing a series of films about Sheffield and the Sheffield music scene of the 1980s.You can read more about the documentary here http://www.thebeatisthelaw.com/  but in a blog post only marginally related to work (go straight to www.lmmuk.com or to this page if you want to read about party bands , bands for weddings or DJs) I thought I would share my thoughts of the era.

I was around in Sheffield playing in bands and out clubbing pretty much every night during this period….indeed I was working at Sheffields notorious Pinstone Street HMV as described by  co-worker Richard Hawley (ex of the Long Pigs and Tree Bound Story) in detail in the film although the way he describes taking off a Stock,Aitkin and Waterman loop tape to put on a hip hop 12″ single (a story I have also read in several print interviews) has got a little exaggerated over the years and I have reason to believe was influenced by a similar scene in the movie Hi Fidelity!Truthfully everyone who worked in the shop would sneak the pop pap off the decks and put something decent on at any given opportunity.I remember playing the re release of Sweet Charles “Yes Its You”,Smiths singles,Trouble Funk,S Xpress and all kinds of stuff but inevitably Stock,Aitken and Waterman would end up back on the system sooner or later.

Anyway I digress.This story takes place before the days of Stock,Aitkin and Waterman.

What I was going to say was that I knew many of the movers and shakers of the 1980s era of Sheffield legend and there are many amusing tales to tell.

For the people who love the music created by the main bands of the electronica/industrial era of Sheffield music the scene must seem very serious.The Sheffield of the time is portrayed as a grimy,post industrial landscape populated by strange and intense young men wearing long macs making odd noises on synths and with treated tapes.

For me the kings of this scene were Clock DVA.They seem to epitomise that particular school of Sheffield cool.

Besides the fact that Adi Newton was once described in the NME as the only British person who could wear leather trousers and get away with it (during the period when he took on the look of Marlon Brando in the wild One) they had Paul Browse who never took his sunglasses off (even in the dark corners of The Limit nightclub) and a Sheffielder who dared to call himself John Valentine-Carruthers.

They were serious young men.

So serious that a friend who went back to one of their houses was treated to a soundtrack LP of a train played at full volume whilst the band member whose place it was sat in silence.

So serious that a musician who joined the band briefly and then made the mistake of chatting to a pal in The Limit was told “we dont talk to him in this band….he’s not in the circle.”

So serious that Adi,whose girlfriend shared a flat with my girlfriend of the time,would take five minutes to answer the question “Do you want a cup of tea?”

They would stand in the old working mans sandwich shop next to our rehearsal room huddled in a mass of long coats and silently eat bacon butties like they were in a Parisian Left Bank cafe.

In the rehearsal room itself (which for several years was next to our Jive Club headquarters) we would rarely hear anything but saxophone arpeggios and never any singing or anything resembling a song.It was something akin to the mystery of Willy Wonkas Chocolate Factory…we knew music (and records) were being made but we never heard any of the process.

Music was made though and we (particularly Phil and myself from the Mirror Cracked) loved much of it. The mystique of the band made it even more special.Despite spending many mornings drinking tea in Katies flat with Adie and his girlfriend I never penetrated the mystique and I couldn’t tell you anything about the guy except that he was intense….and that pretty much sums up the music as well.

Mine and Phils favourite Clock DVA track is 4 Hours which we often drunkenly quote when the mood takes us.Along with Eternity In Paris and Beautiful Losers this music sums up the underground sound of the eighties Sheffield and it brings back memories of the dark corners of The Limit populated by serious young men in long macs who wouldn’t talk to you…unless you were making them a cup of tea!

“4 Hours”-
This was released as a single and climbed the indie charts of the music weeklies.
It’s a great song and even went so far as to be deemed an underground hit!
The rhythm comes in boisterous and Charlie Collins has just a great Sax sound.
It’s in tune but out of tune at the same time and is set just at the right volume in the mix- so as not to derail everything else and Newton delivers some of his finest words-

“This mid-morning awakening…this bleak whiteness, nothingness…
the eye that stares through your mirror, a suction entanglement
On stained sheets, figures with no regrets, their doubts caste a shadow here….the time drifts…the time swells…the skies melt…..

This could be New York, this could be London, I don’t care anymore
I’m wearing this suit, a black suit, I’m wearing this time, A black tie
I’m carrying this case, a black case, I walk down the street…
the people are staring, the taxi cab is slower….
A piano falls from above………… it smashes in front of me!….”

If Clock DVA were remembered for anything back then, it was for this fine piece of paranoid pop (!)

Clock DVA-We Salute You!!!

Calico Fever At The Boardwalk Sheffield

Monday, October 25th, 2010
Calico Fever- Great Sheffield Band

Calico Fever- Great Sheffield Band

Big thanks to Calico Fever who were good enough to allow LMM director Rick the opportunity to support them on Friday night at The Boardwalk in Sheffield.

The Boardwalk recently was voted the 4th best live venue in the world by readers of the NME and has seen some icons play there over the years including The Clash playing their first ever show (supporting the Sex Pistols no less.) Acts like Joe Cocker and Vinegar Joe with Elkie Brooks and Robert Palmer were regulars there in the 60s and in more recent times The Arctic Monkeys worked behind the bar!!

Other names to play there over the years include Robert Plant (led Zeppelin),Seasick Steve and Ian Hunter (Mott The Hoople.)

The Boardwalk has a great stage and the sound quality both on and off stage is great so it was a perfect night to indulge in some on stage antics.

Friday saw Calico Fever playing their self penned country rock anthems and a couple of choice covers.As ever they delivered a great set to a packed house who all thoroughly enjoyed the band.

I  supported the band with a set comprised of Guilty Pleasure covers and self penned songs including Mirror Cracked favourite “Totally Yours.”

At the end of the night  I joined the band (who include Phil Staniland and Pete Hiley from the Mirror Cracked) to sing alongside Cracked sax player Vic Middleton.It was the first time all of us had been on stage together since the mid eighties…..a tremendous night of nostalgia for the boys!!

Thanks again for the opportunity of playing alongside you….looking forward to the next time.

The Godlike Genius Of Pete Mckee

Monday, February 1st, 2010
Pete Mckee Artist -We Salute You

Pete Mckee Artist -We Salute You

Feb 1 is the birthday of Sheffield artist and all round good guy Pete Mckee and to celebrate I would like to randomly salute him in this blog.

I met Pete Mckee back in the late 1980′s when we both worked in HMV Records in Sheffield.We worked together for about four years, on and off, alongside a great cast of characters including ,for a short time ,Sheffield songwriter Richard Hawley.

What all the staff shared was the same sense of humour which made the drugery of the 9 to 5pm shop work  into a laugh a minute experience.Plus we had a solid love of music which made us the worlds number one Pop Quiz contestants.

Pete poured these elements into his work along with the same sense of place which permeates the work of The Arctic Monkeys,Pulps Jarvis Cocker and,to some extent,Richard Hawley.

That place is ,of course ,Sheffield and the North in general and Petes art mixes nostalgia with pop culture and rich,warm humour.

Pete Mckees Gallery Of Sheffield Legends

Pete Mckees Gallery Of Sheffield Legends

For a while Pete was making T-Shirts depicting old fashioned football scenes and selling them outside his beloved Sheffield Wednesday ground.He soon became a featured cartoonist in the Sheffield Star and Sheffield Telegraph shown mainly in the sports pages.

Years ago I remember the excitement of his big break when Marks And Spencers published a Pete Mckee birthday card but this proved to be a false dawn and Pete had to wait a few more years before his work started to become well known outside of a small group of admireers in Sheffield.

One of the catalysts for Petes big break was when Noel Gallagher became a kind of modern day patron for Pete.

It started when Pete sent him a print of one of his paintings  which featured a boy learning to play guitar with a Sex pistols poster on the wall and a Beates record on the turntable .I think it was called Bad Education (I just tried to find the painting online but I was unsuccesful.) How could Noel Gallagher not love this picture!

Noel himself rang Pete and once Pete had worked out it was the real Noel Gallagher and not someone talking the piss he had a good chat with him about music and art.Shortly after Noel called him back and commissioned him to customise a ten foot Gibson Guitar which was to be part of a worldwide touring exhibition featuring famous custom guitars decorated by world famous artists (Paul Wellers guitar was decorated by Peter Blake who did the Sgt Peppers sleeve.)

Pete Mckee Oasis Poster

Pete Mckee Oasis Poster

Since then Pete Mckees work has begun to get some of the recognition it deserves.

With his scenes (often tinged with both humour and sadness) depicting all facets of Northern Life from a trip to the seaside to a night out dressed to the nines,from fairgrounds to working mens clubs,pop groups and football Pete inhabits his own world which is both site specific (looking at his 22 views of Sheffield exhibition many of his remembrances are the same as mine and other Sheffielders of the same age) and universal (in the same way that Pulp and The Arctic Monkeys write about their town but in a way that many people from different geographical locations and social backgrounds can recognise something of their own experience in the writing.)

Throughout December 2009 Pete had a painting displayed in one of those huge,swanky glass car displays at Gilders Audi garage near the Dronfield By Pass (Low Edges.) I drove past it many times on the way to the mum in laws and the kids always shouted out about its presence which was given more poignancy given that it depicted a snow scene in a town which was covered in snow.

There was a warmth and love in this painting which is present in all Petes work.

Bright and cartoon like the Pete Mckee world depicted in his paintings always puts a smile on your face even if sometime tinged with nostalgia for a way of life thats passed.The loners in his paintings may look sad (or their circumstances often look sad) but they celebrate difference.

Not that I want to paint too gloomy a picture because often Petee paintings are laugh out loud funny.

They are always stylish and carry with them a street style cool with many of the characters coming from the various youth cultures which have attracted Pete over the years.The mod,the indie kid,the greaser on the waltzer at the fairground,the teddy boy well past his prime.No wonder his fans include The Arctic Monkeys,Paul Weller,Noel Gallagher and Richard Hawley (indeed there is a Pete painting which shows Richard and other Sheffield musicians sat in the snug at Fagins (?)

After several exhibitions and work for ACME Studios who asked him to re-interpret characters from Futurama,Family Guy and The Simpsons  Pete was recently commissioned to design a Clarks desert boot (or rather two as he was asked to do one for the ladies and one for the gents.)This is a perfect synergy for Pete as I am sure Pete will have worn desert boots many times (probably bought from Harrington’s in the Castle Market,in Sheffield,where you had to brave a ladder up to a loft area in order to try clothes on and pass the intimidating glares of local skins and mods.)  see http://www.clarks.co.uk/info/Pete-Mckee for details of the Mckee boot.

One thing I can say for sure is that Pete deserves all the success and accolades thrown at him.He remains a humorous,humble and warm guy who is great company-and he passes these characteristics onto the characters in his paintings.

Personally I am very proud of the fact that Pete found the space in one of his paintings about the Sheffield Music scene to mention my first band The Mirror Cracked.

Pete Mckee Sheffield Bands

Pete Mckee Sheffield Bands

So Pete Mckee-Many Happy Returns-I Salute You (and I wish I had kept some of your HMV doodles they must be worth a bob or two now.)

Visit http://www.therealmckee.co.uk/    for more info about Pete Mckee plus to see the great picture gallerys.

The Godlike Genius Of Pete Mckee!

The Godlike Genius Of Pete Mckee!

The Mirror Cracked-Sheffield Band 1980s

Saturday, January 16th, 2010

 

The Mirror Cracked-None More 80s!
The Mirror Cracked-None More 80s!

They say nostalgia isn’t what it used to be.

Since the publication of the book about Sheffields Limit Club Phil Staniland has been calling around the ex members of our first band “The Mirror Cracked” AKA The Mirror Crack’d and so for the first time in thirty years  we all got together for a few drinks and a lot of laughs.

The Mirror Cracked will be unknown to anyone reading this (unless you are a Sheffielder in your mid forties) and you certainly wouldn’t want to book us for your wedding (please visit the main website www.lmmuk.com for wedding and party bands / DJs etc) but it was this band that led me to be an entertainment agent and director of LMM.

Back in the early 1980s Phil and Steve and myself were pupils at Herries School in Sheffield.We were all in different years and had nothing in common, initialy ,but a burning desire to play music.We later found a shared sense of humour which helped when we realised that none of us could play particularly well and even getting hold of instruments and rehearsal rooms was a major chore (I see bands of roughly the same age now who all have great gear and have been playing at Rock School -they can nearly all play every rock classic note perfect.)

We were joined by Pete Hiley (who now plays in Boy On A Dolphin    ) and began writing a bunch of songs and playing shows.

As a four piece we released one single “Friends/Scramble For Style” which was produced by Kevin Baconfrom The Comsat Angels who went on to produce Ian Brown,Finley Quaye,The Sugarbabes,Ziggy Marley and Ephraim Lewis .

 The Mirror Cracked Played loads of gigs around Sheffield at venues like The Limit,  The Leadmill (where we had a great rehearsal room upstairs,) The Royal Oak (where a memorable poster shows The Human League and Def Leppard played the same week back in 1979),The Crucible Theatre (for The Stars On Sunday series of shows which featured most of the early 80s Sheffield acts),The Hallamshire on West Street,The Top Rank (we came second in the Sheffield Star Battle Of The Bands Rock And Pop Contest which,and this seems strange to me now,attracted over 1500 every week to see about 60 bands in heats of six battle it out.)On one occasion we were supported by Pulp at the George IV on Infirmary Road (as recalled by Jarvis Cocker in an hilarious and spectacularly unflattering description in Martin Lillekars book about the Sheffield Music Scene “Beats Working For A Living.” We also appeared with a Jarvis Cocker comedy side project “Heroes Of The Beach” at an all day Anti Unemployment concert at the Leadmill.My main memory from this was the Heroes great “Evel Kneivel” song and a when they mimed to “Come On Eileen.”I actually remember quite a lot about this concert (the Heroes Of The Beach also threw sweets out into the audience) but I can’t remember playing!I read that we played on a Pulp blog http://www.pulpwiki.net/Jarvis/MiscellaneousLive

Our first gig though was at the Wimpy on Fargate and we were paid with a burger,fries and shake.I think Susan and Joanne from The Human League were at this gig (and that was a BIG deal-they were royalty in Sheff.)

This era is celebrated by Pete Mckee in one of the paintings from his 22 views of Sheffield Exhibition and I am incredibly proud that if you look on the Sheffield Records Painting you can see the name Mirror Cracked up there with some legendary Sheffield band names in the Sheffield live poster.

Pete Mckees Sheffield Bands Painting

Pete Mckees Sheffield Bands Painting

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